Enjoy, y'all!

I initially planned for 10 tracks like usual but I was like fuck it and work on a 20 track album. And it will take as long as it need to get worked on. The tracks below are all part of it, anarcho experimental cinematic hybrid fusion, yeaaaah!

Wanna guess what the album's title will be called?

By now y'all probably heard riots rocking all over America, and people are all rightfully to riot. One name in the many fallen innocent victims of police violence is Elijah McClain, a self-taught and selfless musician. Elijah worked as a massage therapist but his true passions were always music, in his youth he taught himself many instruments like violin and guitar, and he played music for abandoned animals at shelter. Elijah McClain believed his music would bring peace to the poor animals and he had continued to do so until the day he left this botched world.

On the night of August 30, 2019, in Aurora, CO, Elijah McClain went out to convenient store and never made it back because he was murdered by 3 pigs, (Nathan Woodyard, Jason Rosenblatt and Randy Roedema) with chokehold and EMT also drugged Elijah. He was tortured til death. Elijah McClain was 23 years old when he left this world.

I haven't talked about this when the news came out because it hit me so hard. I could not bear it and I felt so powerless at the death of Elijah McClain, and not just him but millions of black and brown lives were taken and stolen from this settler colonialist regime.

This is why I always fight against police, state and capital. This is why I always stand up for black, indigenous and people of color. I will fight them on the street or through my music. With my hacking power or with my words. And I will happily sacrifice myself knowing that I die for a better world that BIPOC like us would some day reach there, where there would be no longer pain, death and suffering. I put myself in front of their muzzles because I fight for people like Elijah McClain to no longer suffer.

Rest in power, Elijah McClain. And all fallen victims of state violence.

15 years ago: What if I could be great one day like Wendy Carlos or Hans Zimmer...

The sad 2020: Actually fuck that, I'm still a fucking loser stuck on this funky site!

What's that feeling? Jealousy? Envious? Depression? Admiration? ALL OF THEM, YOU MF

No matter what my followers tell me how nice is my stuff, no matter how many friends told me my work is unique, it could never change the fact that I'm still a loser who stuck on this community and can't go elsewhere. Not because of my work suck, but it doesn't fit the type of industry music demanded. I make stuff because I wanna express myself, not wanting to bend to certain rules or requirement.

The fact that I even made it into NGADM and NGUAC latest rounds is pretty telling and took me by surprise, because my work are not the type that fits conforming music for affluence contests. My work are for the weirdos like me who enjoy extremity in sound design and experimentation. Still, I don't think I'd go far with such work because, again I don't ever fucking want or need to do industry standard music. I don't need my work to sound nice or right, because those are borintg.

I want it to be unique. To leave long lasting effect in anyone who's brave enough to enjoy it.

... I guess that's why I'm still a tiny potato, even on this site. :(

I totally didn't expect to get into next round of both NGADM and NGUAC, lol I thought I was gonna lose in both contests so I just planned to work on the new album. Now I can't back out cuz I wanna face @LD-W in NGADM round 3.

I haven't started the NGUAC track yet, I'm just chilling for a while until I work on stuff. Not planning to win NGUAC Final either, but I'd try my best. Good luck to contestants in both NGADM and NGUAC, and thank you to the judges for having so much patience in my work. Thanks to everyone else for believing in me. :)

All the melodic wizards didn't make it. Not a complaint or anything, just found it really intriguing.

The people who made it in Round 2 are all experimental demigods like @Phonometrologist @LD-W @larrynachos @FateModified @PredatorMusic @St0mpy @AlbeGian

Well fuck I was wrong about the reality once again... as I also made it :P

This round is gonna be fuuuuuuuuun. Good luck to everybody!

But I was hoping to face @CloakedSoup last round and get totally destroyed, we've some score to settle, maybe next year bro.

For a long time I stumped with creative's block and struggled to make new interesting stuff. I kinda get it with the last 3 tracks, but I still very unsatisfied with my composition and production skills. I wanted more, so I set out to explore other options.

What I'm looking for is massive Wall of Sound type of mixing, super wide mix, lots of reverb and chill instruments. But at the same time I don't want it to be just chill, I want it to be action, lively, bassy, punchy, yet colorful. The focus on such works are percussion programming and fluidity. I need the work to be smooth as hell, from A to Z, yet it still has ending. I'm looking for the passive-aggressive expertise of compositions, sound design, techniques, programming, arrangement, mixing and mastering.

That's a lot to ask for. But I believe they are achievable. Stay tuned.

Does it worth the money? I was thinking if I could get it this Black Friday or something. I saw a lot of reviews on Gullfoss and was wondering, hmm, this sounds like a useful tool, but do I really need it?

Anyone have it? What are your experience on Gullfoss?

But I guess I went nutty with sound design. Ugh I'm exhausted from it... lmao it's less than 4 min long.

It's for Robot Day and NGUAC 2020. Happy Robot Day :)

This time for real, no more bs CMS and shit. Again, from scratch. It'd also be on Gitlab.

Stay tuned. In the meantime, check out this new release